In a striking acknowledgment of state control, Russia has officially admitted to practicing censorship, a direct violation of its own Constitution. This revelation, however, has largely gone unnoticed within the country.
Evgeny Gorenburg, director of the 2025 Ural Music Night Festival in Yekaterinburg, recently confirmed that artists wishing to perform at the event must secure clearance from security agencies. Speaking at a press conference, Gorenburg shed light on the stringent approval process, emphasizing the growing role of state oversight in cultural events.
“An artist’s participation is not always determined by the festival’s management,” he explained. “Permission to perform depends on law enforcement agencies, ideological security bodies, and the presidential administration. The individuals involved must secure a carte blanche from all relevant structures.”
This announcement is part of a broader trend of cultural suppression in Russia. Over the past two years, authorities have banned performances by more than 200 artists, predominantly those who have expressed anti-war sentiments or criticized the government. The growing intersection of cultural expression and state ideology highlights the escalating restrictions on artistic freedom.
As Russia tightens its grip on cultural activities, the implications for the nation’s artistic landscape—and for dissenting voices—are profound. The state’s increasing control over cultural expression not only stifles creativity but also raises questions about the future of free expression in the country.